Alla LEONARDO da Vincis Oljemålningar

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Bilder

Oljemålningar Från A till Z

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38466

Plan fur a canal to the evasion of the Arno

mk137 1503-1504 feather and ink Uber of black chalk 33.5x48.2cm Royal Library, Windsor Castle.

38514

Portrait

mk137 ca. 1495 Pastelkkreide and charcoal. 40x32cm Pinacoteca di Brera, Milan

30959

Portrait de femme,dit a tort La belle ferronniere

mk70 Bois. H.0,63; L.0,45 Paris,Musee du Louvre

30958

Portrait de Mona Lisa dit La joconde

mk70 Bois H.0.77 L.0.53 Paris,Musee du Louvre

7860

Portrait of a Musician dey

1490 Oil on panel, 43 x 31 cm Pinacoteca Ambrosiana, Milan

91243

Portrait of Cecilia Gallerani

between 1483(1483) and 1490(1490) Medium oil on panel cyf

84716

Portrait of Ginevra de Benci

Date between 1474(1474) and 1478(1478) Medium Oil on wood Dimensions Height: 38.8 cm (15.3 in). Width: 36.7 cm (14.4 in). cjr

7851

Portrait of Ginevra de' Benci sg

1474-46 Oil on wood, 38,8 x 36,7 cm National Gallery of Art, Washington

38506

Portrat of a Madchens

mk137 ca. 1485 metal pencils 18x16cm Biblioteca real, Turin

38475

Portrat of a musician

mk137 ca. 1485 oils on wood chalkboard 43x31cm Pinacoteca Ambrosiana. Milan

38468

Portrat of Isabella d-Este

mk137 1500 black chalk with traces of Rotel in the hair and in the skin and Hohungen in bubble yellow in the dress 61x46cm muse you Louvre, Paris

38520

Portrats of two men

mk137 ca.1487-1490 feather and ink 16.3x14.3cm Royal Library, Windsor Castle

34678

Power and ortraits

mk94

38499

Profile of a child

mk137 ca.1495Rotel on paper 10x10cm Royal Library, Windsor Castle

38519

Profile of a man

mk137 ca.1506-1508 feather and ink, Rotel and black chalk 14.7x10.4cm Galleria Dell' Accademia, Venice

38446

Profile of an old man

mk137 ca.1485-1490 feather and ink 7.8x5.6cm Biblioteca Ambrosiana, Milan

38447

Profile of an old man

mk137 ca. 1480 feathers and ink 7.2x5.5cm Biblioteca Ambrosiana, Milan

38453

Profile of an old man

mk137 ca.1510 black chalk and Rotel 22.2x16cm Royal Library, Windsor Castle

38454

Profile one with book leaves gekroten of old man

mk137 ca.1506-1508 feather and ink, Rotel on paper 16.8x12.5cm Biblioteca real, Turin

38523

Profiles of a young and an old man

mk137 ca.1500-1505 Rotel,21x15cm Galleria degli Uffizi, Florence.

38474

Raffaello Sanzio named Raffael Portrat of Lorenzo de Medici

mk137 1518 oils on linen collection Ira Spanierman New York

91515

Reverse side of the portrait of Ginevra de' Benci

between 1474(1474) and 1478(1478) Medium oil on panel cyf

7852

Reverse side of the portrait of Ginevra de' Benci sg

1474-46 Oil on wood, 38,8 x 36,7 cm National Gallery of Art, Washington

38524

Rule fur the proportion of the human figure

mk137 after Vitruv 1490 feathers and ink, 34.4x24.5cm Galleria Dell' Accademia, Venice

30961

Saint jean-Baptiste

mk70 Toile. H.0,69 L.0,57 Paris,Musee du Louvre

58589

Salai as John the Baptist

Salai as John the Baptist (c. 1514)??Louvre

38428

Self Portrait

mk137 ca.1512 Rotel on paper 33.3x21.3cm Biblioteca real, Turin

38457

Six studies fur naked or clothed men

mk137 ca. 1480 feathers and ink 27.7x21cm muse you Louvre, Paris

58586

Small devotional picture by Verrocchio

Small devotional picture by Verrocchio, c. 1470

7859

St Jerome sgyu

c. 1480 Oil on panel, 103 x 75 cm Pinacoteca Vaticana, Vatican, Rome

98120

St John in the Wilderness

between 1510(1510) and 1515(1515) Medium oil on panel, transferred to canvas cyf

7876

St John the Baptist t

1513-16 Oil on panel, 69 x 57 cm Mus??e du Louvre, Paris

38458

Studies fur the adoration of the Konige

mk137 ca. 1481 feathers and ink uber metal pencil uf paper 21.3x15.2cm Bonnat museum, Bayonne

38459

Studies fur the adoration of the Konige

mk137 ca. 1480 feathers and ink 16.6x26.5cm The British museum London

38498

Studies of children

mk137 ca.1506-1508 black chalk, Uberarbeitet with feather and ink 20.4x15.2cm Royal Library, Windsor Castle

38487

Studies of horses

mk137 1493-1494 metal pencil 21.2x16cm Royal Library, Windsor Castle

38504

Study fur a women head

mk137 ca. 1490 silver pencils on paper 18x16.8cm muse you Louvre, Paris

38456

Study fur the adoration of the Konige

mk137 ca. 1480 feathers and ink 27.5x18cm Wallraf-Richartz museum, Koln

38511

Study fur the communion

mk137 ca. 1495. Rotel Royal Library, Windsor Castle.

38512

Study fur the communion

mk137 ca. 1495 Rotel. Royal Library, Windsor Castle.

38505

Study fur the head of a Madchens

mk137 ca. 1483 silver pencils 18.2x16cm Biblioteca real, Turin

45844

Study fur the Sforza monument

mk178 1485-1490 silver pencil on blue paper 14.8x18.5cm

38486

Study fur the Sforza-Reiterstandbild

mk137 ca.1485-1490 charcoal and metal pencil Royal Library, Windsor Castle

38488

Study fur the Sforza-Reiterstandbild

mk137 ca.1485-1490 metal pencil on blue prepared paper 11.6x10.3cm Royal Library, Windsor Castle

38492

Study fur the Trivulzio-monument

mk137 1508-1511Feder and ink uber of black chalk 15.2x14.5cm Royal Library, Windsor Castle

38493

Study Fur the Trivulzio-monument

mk137 1508-1511 black chalk on paper 20x12.4cm Royal Library, Windsor Castle

38510

Study of an apostle

mk137 ca. 1495 feathers uber metal pencil before blue background 14.5x11.3cm Albertina museum Vienna

38448

Study of an old man

mk137 ca. 1505 Rotel 9.4x6cm muses you Louvre, Paris

38489

Study of the proportion of horses

mk137 ca.1481-1482 metal pencil 22x11cm Royal Library, Windsor Castle

38531

Study of the proportion of the head

mk137 ca. 1490 feathers and brown India ink, Royal Library, Windsor Castle

38460

The adoration of the Konige

mk137 1481-1482 yellow Ocker and brown ink on wood chalkboard 246x243cm Galleria degli Uffizi, Florence

58584

The Adoration of the Magi

The Adoration of the Magi, (1481)??Uffizi.

34679

The Annunciation

mk96 104x217cm

55957

The annunciation

1472-75,oil on panel,38.675x85.375 in,98x217 cm,uffizi,florence,ltaly

84587

The Annunciation

Date between 1472(1472) and 1475(1475) Medium Oil and tempera on wood cjr

84588

The Annunciation

Date between 1472(1472) and 1475(1475) Medium Oil and tempera on wood cjr

84589

The Annunciation

Date between 1472(1472) and 1475(1475) Medium Oil and tempera on wood cjr

84591

The Annunciation

Date between 1472(1472) and 1475(1475) Medium Oil and tempera on wood cjr

88650

The Annunciation

between 1472(1472) and 1475(1475) Medium Oil and tempera on wood cyf

88651

The Annunciation

between 1472(1472) and 1475(1475) Medium Oil and tempera on wood cyf

88652

The Annunciation

between 1472(1472) and 1475(1475) Medium Oil and tempera on wood cyf

88654

The Annunciation

between 1472(1472) and 1475(1475) Medium Oil and tempera on wood cyf

41945

The Anunciacion

mk166 c. 1470 I wave and tempera on board of wood 98x217cm

58583

The Baptism of Christ

The Baptism of Christ (1472?C1475)??Uffizi, by Verrocchio and Leonardo

7844

The Baptism of Christ (detail) sg

1472-75 Oil on wood Galleria degli Uffizi, Florence

28338

The Benois Madonna

Oil on canvas Transferred from panel 19 1/2x12 1/2"

38539

The embryo in the Uterus

mk137 ca.1510-1512 feather and ink with India ink uber Rotel 30x21.5cm Royal Library, Windsor Castle

38540

The Fotus in the Uterus

mk137 ca.1511-1513 feather and ink 30.5x22cm Royal Library, Windsor Castle

42648

The last dinner

MK169 ca.1495-98 Mural 460x856cm

34472

The Last Supper

mk93 1495-98 Fresco,Approx 29x15ft Santa Maria delle Grazie Milan

55981

the last supper

mk247 1495 to 98,fresco,180x346 in,460x879 cm,convent of santa maria delle grazie,milan,ltaly

56818

The Last Supper

mk250 About the Year in 1495-1498. Frescoes, 880 x 460 cm. Milan Thanksgiving Church of Our Lady canteen.

62018

The Last Supper

mk276 1495 mural years 460 x 880cm

7866

The Last Supper (detail) sg

1498 Mixed technique Convent of Santa Maria delle Grazie, Milan

7865

The Last Supper sgu

1498 Mixed technique, 460 x 880 cm Convent of Santa Maria delle Grazie, Milan

7854

The Madonna of the Carnation g

1478-80 Oil on panel, 62 x 47,5 cm Alte Pinakothek, Munich

7856

The Madonna of the Carnation (detail) dg

1478-80 Oil on panel, width of detail: 25 cm Alte Pinakothek, Munich

7855

The Madonna of the Carnation (detail) sg

1478-80 Oil on panel Alte Pinakothek, Munich

38429

The madonna with the Children

mk137 1475-1478 oil on linen of wood ubertragen 49.5x33cm Eremitage, St Peter castle

38507

The master of the Pala Sforzesca attributed

mk137 Frauenbuste silver pencil 23.6x15.5cm Galleria degli Uffizi, Florence

38530

The muscles of arm, shoulder and neck

mk137 after 1510 feathers and ink with India ink 28.5x19.5cm Royal Library, Windsor Castle

38533

The muscles of Thorax and shoulders in a lebnden person

mk137 1510 feathers and brown ink and black chalk with India ink 29.8x19.8cm Royal Collection, Windsor Castle

38536

The organs of the woman

mk137 ca. 1509 feathers and ink uber charcoal and traces of Rotel with dark brown India ink 46.7x33.2cm Royal Library, Windsor Castle.

58587

The Portinari Altarpiece

The Portinari Altarpiece, by Hugo van der Goes for a Florentine family

7864

The Refectory with the Last Supper after restoration g

1498 Convent of Santa Maria delle Grazie, Milan

38439

The Verkundigung

mk137 1472-1475 oils on wood chalkboard 98x217cm Galleria degli Uffizi, Florence

83590

The Virgin and Child with St Anne

Date ca. 1510(1510) Medium Oil on wood Dimensions Height: 168 cm (66.1 in). Width: 130 cm (51.2 in). cjr

84105

The Virgin and Child with St Anne

Date ca. 1510(1510) Medium Oil on wood Dimensions Width: 40 cm (15.7 in). (of detail) cjr

7873

The Virgin and Child with St Anne ey

c. 1510 Oil on wood, 168 x 130 cm Mus??e du Louvre, Paris

7875

The Virgin and Child with St Anne (detail) f

c. 1510 Oil on wood, width of detail 40 cm Mus??e du Louvre, Paris

7874

The Virgin and Child with St Anne (detail) s

c. 1510 Oil on wood Mus??e du Louvre, Paris

33471

The Virgin and St Anne

mk86 c.1508 Oil on wood 168x130cm Paris,Musee National du Louvre

21288

The Virgin and St Anne (mk08)

c.1508 Oil on wood,168x130cm Paris,Musee National du Louvre

41957

The Virgin and the Nino with Holy Ana

mk166 Between 1508 and 1510 Painting on wood 168x130cm

41959

The Virgin of the rocks

mk166 1483 I Wave on cloth 199x12cm Museum of the Louvre, Paris

58591

Unfinished painting of St. Jerome in the Wilderness

Unfinished painting of St. Jerome in the Wilderness, (c. 1480), Vatican

21275

Virgin and Child with St Anne and St John the Baptist (mk08)

c.1495 Charcoal,heightened with white , on cardboard 141.5x104cm London,National Gallery

55994

virgin and child with st.anne

mk247 c.1510,oil on poplar,66x51 in,168x130 cm,louvre,paris,france

21287

Virgin of th Rock (mk08)

c.1483 Oil on wood,transferred to canvas, 199x122cm Paris,Musee National du Louvre

33469

Virgin of the Rocks

mk86 c.1483 Oil on wood Transferred to canvas 199x122cm Paris,Musee National du Louvre

Föregående 1 2 3 Nästa

LEONARDO da Vinci

Italian High Renaissance Painter and Inventor, 1452-1519 Italian High Renaissance Painter and Inventor, 1452-1519 Florentine Renaissance man, genius, artist in all media, architect, military engineer. Possibly the most brilliantly creative man in European history, he advertised himself, first of all, as a military engineer. In a famous letter dated about 1481 to Ludovico Sforza, of which a copy survives in the Codice Atlantico in Milan, Leonardo asks for employment in that capacity. He had plans for bridges, very light and strong, and plans for destroying those of the enemy. He knew how to cut off water to besieged fortifications, and how to construct bridges, mantlets, scaling ladders, and other instruments. He designed cannon, very convenient and easy of transport, designed to fire small stones, almost in the manner of hail??grape- or case-shot (see ammunition, artillery). He offered cannon of very beautiful and useful shapes, quite different from those in common use and, where it is not possible to employ cannon ?? catapults, mangonels and trabocchi and other engines of wonderful efficacy not in general use. And he said he made armoured cars, safe and unassailable, which will enter the serried ranks of the enemy with their artillery ?? and behind them the infantry will be able to follow quite unharmed, and without any opposition. He also offered to design ships which can resist the fire of all the heaviest cannon, and powder and smoke. The large number of surviving drawings and notes on military art show that Leonardo claims were not without foundation, although most date from after the Sforza letter. Most of the drawings, including giant crossbows (see bows), appear to be improvements on existing machines rather than new inventions. One exception is the drawing of a tank dating from 1485-8 now in the British Museum??a flattened cone, propelled from inside by crankshafts, firing guns. Another design in the British Museum, for a machine with scythes revolving in the horizontal plane, dismembering bodies as it goes, is gruesomely fanciful. Most of the other drawings are in the Codice Atlantico in Milan but some are in the Royal Libraries at Windsor and Turin, in Venice, or the Louvre and the École des Beaux Arts in Paris. Two ingenious machines for continuously firing arrows, machine-gun style, powered by a treadmill are shown in the Codice Atlantico. A number of other sketches of bridges, water pumps, and canals could be for military or civil purposes: dual use technology. Leonardo lived at a time when the first artillery fortifications were appearing and the Codice Atlantico contains sketches of ingenious fortifications combining bastions, round towers, and truncated cones. Models constructed from the drawings and photographed in Calvi works reveal forts which would have looked strikingly modern in the 19th century, and might even feature in science fiction films today. On 18 August 1502 Cesare Borgia appointed Leonardo as his Military Engineer General, although no known building by Leonardo exists. Leonardo was also fascinated by flight. Thirteen pages with drawings for man-powered aeroplanes survive and there is one design for a helicoidal helicopter. Leonardo later realized the inadequacy of the power a man could generate and turned his attention to aerofoils. Had his enormous abilities been concentrated on one thing, he might have invented the modern glider.

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